Get PDF Mimesis : the representation of reality in Western literature

Free download. Book file PDF easily for everyone and every device. You can download and read online Mimesis : the representation of reality in Western literature file PDF Book only if you are registered here. And also you can download or read online all Book PDF file that related with Mimesis : the representation of reality in Western literature book. Happy reading Mimesis : the representation of reality in Western literature Bookeveryone. Download file Free Book PDF Mimesis : the representation of reality in Western literature at Complete PDF Library. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Here is The CompletePDF Book Library. It's free to register here to get Book file PDF Mimesis : the representation of reality in Western literature Pocket Guide.

Enlarge cover.

Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Mimesis by Erich Auerbach. Willard R. Trask Translator. Edward W. Said Introduction. A half-century after its translation into English, Erich Auerbach's "Mimesis" still stands as a monumental achievement in literary criticism.

What is MIMESIS? What does MIMESIS mean? MIMESIS meaning, definition, explanation & pronunciation

A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes A half-century after its translation into English, Erich Auerbach's "Mimesis" still stands as a monumental achievement in literary criticism. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.

He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war.

Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich.

Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written. Get A Copy.

Mimesis: The Representation of Reality in Western Literature

Paperback , 50th Anniversary Edition , pages. Published April 27th by Princeton University Press first published More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Mimesis , please sign up. Is this book like the film Memasis or something? Aand they had to ask the daughter. Ted Young No, this is a book of literary criticism. See 1 question about Mimesis…. Lists with This Book. Community Reviews. Showing Rating details.


  1. Nurse Anesthesia!
  2. The AMA Style Guide for Business Writing!
  3. Radiation and Propagation of Electromagnetic Waves;
  4. Sustainable apparel : production, processing and recycling.

More filters. Sort order. Feb 03, Hadrian rated it it was amazing Shelves: essays , history , literary-theory-criticism , philosophy , nonfiction. Mimesis is an astonishing look at the history of Western literature, remarkable not only for its discussion of nearly everything between the Odyssey and Proust, but also how he has something original to say about all of these.

All of these essays would work on their own, and be respected pieces in their fields. The first chapter, Odysseus' scar, is still used by classicists today. Each chapter benefits from close readings of the texts, and extensive quotations in the original language.

But the wh Mimesis is an astonishing look at the history of Western literature, remarkable not only for its discussion of nearly everything between the Odyssey and Proust, but also how he has something original to say about all of these. But the whole is greater than the parts, and Auerbach's broader goal is the representation of reality in literature, as well as the recognition of historical context. Auerbach begins his long project with a comparison of sections of The Odyssey and a The New Testament. Both are tremendously influential on Western literature, of course, but Auerbach asserts that the Odyssey is direct about listing facts in the narrative, and the religious narratives have omissions to heighten the sense of mystery and suspense.

From there we go forth through the later Romans, the medieval romances and passion plays, courtly romance, Montaigne's essays and the role of the author, Don Quixote, the 19th century Germans, the French authors of Balzac, Stendhal, and Flaubert, and concludes with the high modernists of Joyce, Woolf, and Proust.

No Russian authors, but that's because Auerbach can't read Russian, and would lack the depth of analysis he would offer otherwise. This is a deeply impressive book, and offers new ways of thinking about literature. I was particularly impressed with his analysis of medieval literature and its reaction to classical norms, a topic which I know nothing about, but also his look at Virginia Woolf. A book for those who love books and want to further plumb their depths. View all 10 comments. Jul 14, Jim Coughenour rated it it was amazing Shelves: essaysforautodidacts.

Maybe the most impressive work of literary criticism ever written, not least because of the circumstances under which it was composed: Auerbach, a German philologist fired by the Nazis for being a Jew, in exile in an Istanbul library as European civilization destroyed itself — re-imagining the literature that had given it birth. The book's insights are inexhaustible. I've returned to it again and again for 30 years. View all 6 comments. Mar 02, Bruce rated it it was amazing.

Fleeing the Nazis in , the noted German philologist and scholar of comparative literature and criticism Erick Auerbach settled in Istanbul where, without access to his extensive library, he wrote Mimesis — The Representation of Reality in Western Literature , a prime example of what subsequent scholars have come to call historicism.

Mimesis The Representation of Reality in Western Literature

This is an amazing book, as fascinating as it is dense, as provocative in its ideas as it is impressive. For the interested reader I would suggest beginning with Fleeing the Nazis in , the noted German philologist and scholar of comparative literature and criticism Erick Auerbach settled in Istanbul where, without access to his extensive library, he wrote Mimesis — The Representation of Reality in Western Literature , a prime example of what subsequent scholars have come to call historicism. Auerbach proceeds chronologically, starting with Homeric and Hebraic literature and continuing through the modernist novels of Woolf, Proust, and Joyce.

He moves on to medieval epics from France and Germany, touching upon French romance poetry as well, before arriving at the works of Dante and Boccaccio. His insights into all this literature go beyond supports for his primary thesis, and the informed reader will find himself enlightened and challenged at every turn. Continuing, Auerbach uses an exploration of Rabelais to develop his theme, then turning to Montaigne, Shakespeare, and Cervantes. Not to neglect the Germans, he discusses the works of Schiller before returning to France and Stendhal. This leads almost inevitably to Flaubert, Balzac, and Goncourt, which then brings the text at last to the English modernists.

This summary suggests more of a romp than this long, carefully crafted, deep and thoughtful book actually represents. Its pages are best taken in small bites, carefully chewed and digested — I read only ten pages a day, finding that I needed to ruminate upon and assimilate those pages before I was ready for another meal.

Recensie(s)

But what a treat it was to be exposed to a mind and to ideas so stimulating, so fresh, and so incisive. I am so glad that I discovered the book and took the time and effort to immerse myself in it. View 2 comments. Richard Stivers, Dr. We read a chapter a month basically and also read whichever book went along with that chapter. I am not sure when we started but it took us a couple of years.

The Book of Books | The New Yorker

Before reading the final chapter and Woolf's To the Lighthouse we read several other books from around that time frame that were not covered by Auerbach. I would love to do this again some day with other intelligent, well read, interested, and interesting people. Sep 21, Leslie rated it it was amazing Shelves: philosophy-theory. This thing blew my mind.